He started playing for All India Radio in 1929, and performed at the 1931 Sangeet Sammelan (music conference) in Allahabad. Īt first a court musician at Jaunpur, Mushtaq Ali left the court to pursue an independent career. He opted to play the faster Rezakhani gats instead, feeling that playing Masitkhani gats to an undiscerning audience would cause them to be devalued. Oddly enough, in spite of being a musical descendant of Masit Sen, he rarely played Masitkhani gats in public, and none of the commercially available examples of his music includes one. His alap was constructed along the lines of a dhrupad alap, and his jod and jhala derived a lot from rudra vina technique. He eschewed much of the ornamentation of modern sitar technique (such as murki and zamzama), and embraced a clean, pure sound. Khan learnt music from his father, Ashiq Ali Khan, who had learned sitar from the 19th century player Barkatullah Khan, a descendant of Masit Sen of Delhi, the inventor of the Masitkhani gat (the major style of slow musical composition in sitar playing) His name became synonymous with the Senia style although he may actually have practised an even more austere style than his predecessors in the gharana. Mushtaq Ali Khan (20 June 1911 in Banaras – 21 July 1989) and was an Indian classical sitar, surbahar (and pakhawaj) player. JSTOR ( August 2022) ( Learn how and when to remove this template message).Unsourced material may be challenged and removed. Please help improve this article by adding citations to reliable sources. This article needs additional citations for verification.
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